Risk Management in Film

In the film industry, risk management plans for health and safety at work exist and must be created for any film that complies with legal requirements. However, as I was unable to obtain risk management plans for a film that identified other types of risks, it is impossible to say whether the Film Studio actually uses them instead of Occupational Health and Safety.

When Thinking About Risk Management Although in every business, though important, we refer not only to occupational health and safety but also to other risks that include business. The list of risks can be many, depending on what context and movie setting you have.

During film production, the film's development or environment may change drastically, which poses multiple risks to production, certain known risks and others that have never been addressed before. In the movie, this means there are many, many risks that may occur in a production.

If we think about how many movies a year are made, filmmakers are constantly dealing with high-risk complexes and may vary according to the movie. This in fact means that filmmakers themselves are risk management experts as they not only deal with risks, but also deal with risks that are constantly changing.

Indeed, exploiting the "risk advantage", especially when stunts and action sequences have grown tremendously, both from the crowd's excitement and the money they generate.

If film is one of the highest risk industries, the fact that traveling in the world and visiting many communities does not oblige them to know in detail what's going on in their back yard?

Often in our community or in the local environment when a residential building is built or built, more likely than in the neighborhood, residents of the neighborhood are informed by the council, which precisely defines the exact construction plans where the community is consulted. On the contrary, if a movie in a certain area, city or country, mostly, film companies do not provide accurate information about the dangerous activities that can take part in people living in the community, often they are activities that pose a threat to building a building.

The film industry will not communicate and talk to the community in detail, because it simply has the potential for their competitors to know their plans. Although fire and explosions have been controlled to some extent, these dangerous elements are still present and there is always a risk of handling these elements, regardless of how verified they are.

This is an example of not communicating or sometimes consulting at the expense of ethical and moral values ​​where members of the community do not know the exact details when they are actually more informed.

In fact, there are many or risky in the film, and this "brother" industrial television that violated ethical and moral norms, for example, only journalists and cameramen had to face their lives in a worn out torn country or a fluctuating country to provide a story great newsstand.

Every time a stunt performs a ghost, no matter how audacious the stunt is, the risk is still high if a stunt dies, the movie is still going ahead because the stunt man is released – here is an extreme in exchange for the death benefit of death, in exchange for the immortality of the stars and the success of the film. The only industry I can bring about is a similar view of the military or the special forces.

Taking into account that the risk is so important in the film, it is surprising that the subject of film and risk at present is most neglected by most academics and scientists, so I decided to handle this subject as part of my Risk and Project Management study . With regard to the film industry and these topics, I met with lack of knowledge. Here are some of the issues I've learned on the subject:

– I could not find or found no good examples of how the project management model can be applied to the film making process, even though it is very easy to apply when considering

There are a number of "risk management plans" available on the Internet for many different industries, but there is no such thing as a movie industry.

– "Australian Film and Television Industrial Safety Guidelines" (144-page document) was made for 10 years in "Draft" format. There are so many security concerns that not all of them can be expected.

– The local Paddington, the Sydney Library, has not published a book or material on film risk or project management. Both areas are highly applicable and valid for the filmmaking process, one is surprised by the lack of information.

– Despite the huge collection of books on film production, Fox Studios' Australian Film Television and Radio School, there was no book on either "Risk Management" or "Project Management". Both librarians I consulted were surprised and surprised to find the lack of knowledge when I asked about the subject. They thought they would find everything in film making in the library, though they do not have what I'm looking for, maybe one of the most important things to read in the movie.

that many industry professionals in the industry are unwilling to talk about their work and government agencies such as Screen Australia, are not interested in examples of "risk management plans" used in earlier films for "privacy". I find this objection to be very bad, as many project management and risk management students in most cases can easily ask industry type for a copy that they will be happy to offer – the film industry is rather closed and unsupported, at least in Australia.

There was a rare moment while studying this subject in which a lady whose name and former employer did not mention resigned from her work and sent me a small example of "risk recording" in film production. I am very grateful for this information. After reviewing the risk register, I realized that I suspect that it is really very similar to the "risk register" that will be used in any business type. Sometimes I make the movie unnecessary for secrets.

In my research I created a blue, yellow and gray model based on my own understanding that the risk management process and the project management process are intertwined with the film making process.

Although the changing environment / environment of movies still has some important elements for considering risks that are relevant to each movie.

Although risk and project management is not widespread in the film school, this is because it really adds to a student's thinking, a much better and healthy understanding and awareness of industry risks, thereby increasing risk management and management. Most of the student facilities teach their students a widespread awareness of the risk principles applied to their industry, and the film industry must do the same for students and filmmakers.

Most people agree that the film industry is secretly in a mystery, and exclusivity gives the impression that the way they run is very different and unique. In my research, I would like to point out that exclusivity and uniqueness is not the case, and that the film industry is like any other business as it runs and its processes, only when it is the risk, they can be the largest risk takers of all .

Source by sbobet

Leave a Reply

Your email address will not be published. Required fields are marked *